by Dan Fields
First published January 16, 2013 by the California Literary Review
Mama Don’t Allow
For any director hoping to bring visions of terror and wonder to the screen, the patronage of Guillermo del Toro is a good place to start. Several years ago, director Andres Muschietti made a tiny and very creepy short film called Mamá about two little girls fleeing from something whose appearance is a crude mockery of what children should call by that name. Now, with del Toro as producer, he tackles the subject again at thirty times the scale. Mama is a movie of weight and a certain dark beauty. It is unlikely to change history, and has a handful of minor problems, but it deserves more than a January release, the exile by which many unwatchable horror movies go to die quietly. Mama is not only watchable, but engaging and at times even powerful.
Victoria and Lily are sisters who, when scarcely more than toddlers, become abruptly orphaned in the woods one day. The family crisis that got them there is rather graceless and contrived, but basically the standard parental element failed them in a big way. Alone and vulnerable, they come into the care of an indistinct but monstrous entity which they learn to call “Mama.” Over several years, the girls regress to a feral state in the idyllic squalor of the forest, little suspecting that civilization wants them back. Continue reading