Category Archives: 2013

Halloween Home Video 2013 (Part 4)

The hour draws near to upend your buckets and devour the annual trick or treat plunder. Together, we’ve spent another October stacking up horror movie programs for your Halloween enjoyment, and what fun it’s been to make up the menu!


Fields Point Review presents a new series of horror movie reviews with Halloween Home Video

Week Four:
I Put A Spell On You!

In Week Three, we spent the evening in some of our favorite haunted and possessed places, having already tackled two weeks of mutants and bloodsuckers. Sometimes it takes more than the right monster and the ideal setting to chill an audience’s blood to perfection. A close cousin of the traditional haunting is the good old fashioned curse. Whether a broken convenant, a vengeful malediction, or just a bit of spiteful magic, the very best spells and curses are difficult, often impossible, to break. They can be used to trap, terrorize, or hideously transform all manner of unsuspecting victims. The target of a curse may have earned it by cowardice or criminal trespass, but might just as likely have stumbled into it by accident. The lesson in all cases is clear: be careful whom (or what) you cross. Damned careful.

The most popular entries in this category are a diverse and disturbing bunch. Universal’s 1941 classic The Wolf Man set the standard, pitting Lon Chaney, Jr. against the indwelling rage that plagues mankind… with the help of a cursed wolf bite. Lycanthropy, like vampirism, is a special sort of curse that eventually merited its own special genre. Author and filmmaker Clive Barker tackled a number of nasty curses, including those that resulted in the demonic romance Hellraiser and the sleepover game turned inner-city gauntlet Candyman. Sam Raimi’s The Evil Dead proved that chainsaw cannibals are far from the worst thing roaming cabin-filled woods. Infamous if less fondly remembered is the Stephen King yarn Thinner, if nothing else a memorable throwback to the classic notion of the gypsy curse.

And now for you unrepentant graverobbers, trespassers and meddlers where you don’t belong, here is a delicious triple jinx of our own devising.

First Course: Drag Me To Hell
(dir. Sam Raimi, 2009)

Sam Raimi curses the careless with demonic torments in Drag Me To Hell


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Halloween Home Video 2013 (Part 3)

And so we gather once again at Fields Point Manor, to munch on the macabre. As before, we have a three-course horror marathon lined up to tide you over as the Halloween excitement really starts to build. Remember, a good scream is the best way to ease the grip of fear, keeping everything else inside you where it belongs.


Fields Point Review presents a new series of horror movie reviews with Halloween Home Video

Week Three:
We Gotta Get Outta This Place!

Last week we dined on blood and lots of it, in the company of vampires and other thirsty ghouls. But not every nightmare scenario can be solved with stakes, garlic or sunshine. Sometimes evil oozes out the very walls, floors, furniture and doors we count on to keep bad things away.

James Wan scored a victory this summer with The Conjuring, a haunted house thriller with modern intensity and classic storytelling sensibilities. The fear that we are not safe in our own beds is a timeless and potent soft spot on the human soul, and filmmakers of all sorts have eagerly probed that spot for decades.

Thinking outside the box on this topic was a challenge. Haunting stories make up a goodly portion of almost any top-10, desert-island horror movie countdown, and great ones have been made to suit every taste. The Shining is bleak and lavish, Poltergeist playfully hideous, The Haunting and The Innocents each a parade of good old-fashioned dread, and even those in the mood for the madcap have choices ranging from William Castle’s The House On Haunted Hill to the surreal Japanese freakout known as Hausu (House). If you have not had the pleasure, stop what you have going on and make room for these movies in your life, too. Meanwhile, we adjourn to the brandy and popcorn lounge for tonight’s features.

First Course: El Orfanato
(The Orphanage)
(dir. J. A. Bayona, 2007)

J. A. Bayon's The Orphanage tests a mother's love and sanity to their limits

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Halloween Home Video 2013 (Part 2)

Welcome back to the Fields Point nightmare parlor and media room. Today we continue the Halloween Home Video series, recommending a weekly menu of ghastly delights for your screening and sharing pleasure.

These picks are for the adventurous gourmet, assuming you have enjoyed, or at least sampled the staples of the genre before. We avoid leftovers here as much as we can.


Fields Point Review presents a new series of horror movie reviews with Halloween Home Video

Week Two:
Brother, Can You Spare A Pint?

Following last week’s foray into the world of freaks and mutants, we turn our attention to a more classic figure in the horror pantheon, the Vampire. The Bloodsucker. The Wurdulak. The Caped And More Importantly Fanged One. Nosferatu, y’all. If you thought the plasma was flowing deep before, put on your bib for a real bloodfest.

So you’ve had the essentials, have you? Murnau’s Nosferatu? Tod Browning’s Dracula? A goodly taste of the Hammer vampires from swinging London? Near Dark? Let The Right One In, Swedish and American versions? Then try something rare from Column B Negative.

First Corpse: Thirst
(dir. Park Chan-wook, 2009)

Park Chan-wook's Thirst turns a priest into a vampire


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Halloween Home Video 2013 (Part 1)

And so October comes faithfully round again. A good horror movie works any time of year, but something about the Halloween season gives it extra savor. For starters, scary movies are excellent for parties, dates, and all manner of shared social experiences. The fun of being scared by movies is an all-or-nothing concept, but those of us who love it are absolutely hooked on it. This is our season.


Fields Point Review presents a new series of horror movie reviews with Halloween Home Video

In 2012, the first Halloween Home Video series took a quick and dirty survey of the year in horror, highlighting ten new and underseen movies which, while not consistently excellent, were notable in some measure for their conception or execution. The lack of fanfare around those flicks seemed to have arisen not from low quality, but from the pitfalls of small release, direct-to-video and foreign distribution in a low-bar market flooded with amateur competition. Making a horror movie may be the one of the easiest things in the world, but making one that’s any good is no inconsiderable feat.

As you plan your Halloween screening adventures, the majority of books, websites and lists you consult will point you toward classics like Carrie, The Exorcist, The Texas Chain Saw Massacre, Rosemary’s Baby, The Evil Dead, The Shining, Night Of The Living Dead, and of course John Carpenter’s original Halloween. Make no mistake; these are all excellent movies, but if you’re searching far afield for horror recommendations, it stands to reason that you know and love at least most of them already.

Halloween Home Video is still about scaring up ideas beyond the usual list of suspects. Many of the features will be decidedly more mainstream this year, but the goal is still to keep mainly off the all-time essentials list. The 2013 edition proposes a weekly three-course “menu” of horror films for your viewing enjoyment. Each triple bill has been chosen for maximum variety within a given theme, pairing time-tested favorites with respectable contemporary efforts, along with something a little zany thrown in for dessert.

Week One:
Tenth Avenue Freak-Out

Let us begin the feast with something refined yet playful, profound but unpretentious to tickle the palate. Nothing spells class better than running in terror from dangerous killer freaks. Are they mistakes of nature, divine retribution for the sins of humankind, or merely misunderstood strangers? Confronting the monstrous always bears an element of tragedy, especially when the monster shares identifiable characteristics with its human victims. More often than not, it also serves as a mirror for the inhumanity we visit on one another (One of H. P. Lovecraft’s greatest tales, “The Outsider,” takes that idea to a shocking and poignant extreme).

Won’t you freak out along with us at home? And in future, look more kindly on the mutant oddities you call family and friends.

First Course: The Descent
(dir. Neil Marshall, 2005)

Unknown terror lives underground in Neil Marshall's The Descent


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